I can't really think of any, but there are bound to be exceptions. If you use several DAWs, and you need the same compressor on all of them, you will have to use third party, because very rarely will stock DAW plugins be able to be loaded in another DAW. If you want coloration, a transparent sounding compressor isn't going to do much for you. (they solved some of the sidechaining limitations in the newest update) I use Waves' C1 compressor a lot, but it is limited in sidechaining too. I love the Logic compressor, but it has limitations too. You can't use the Digi compressor in Pro tools with Logic, and you can't use Logic's compressor with Ableton. Like any stock DAW effect or instrument, it's not a "plugin" that can move between DAWs. It has more options for side chaining than any other software compressor I have seen. With an EQ, pre- and post-compression, saturation, and limiter, Ozone packs a huge punch. Ozone is a mastering suite with everything you need to create a great master. If you’re even a little bit interested in mastering, you’re probably familiar with Ozone. Ableton's have tons of features in an easy to use interface. Ozone 9 Standard (249) bubble-filled-icon. more often than not it is just different and preferred over something else. I'd like to know what plugin specifically is being referred to as better, and what features make it better. Ableton's compressors are professional quality. That's really all there is to many of the 3rd party plugins. Like someone else said the ableton compressor is a more transparent sound, while the glue compressor adds color. There are also plenty of free 3rd party compressors. They have most features that any 3rd party plugin would have. Ableton's compressors are perfectly fine for almost any application. Sets a Distressor for parallel drum compressionĪdds stereo width to synth bass, and demonstrates using EQ pre and post-processĬontrols the kick drum using SSL Channel compression and demonstrates how he hears the compression before the low-resolution meter displays what is happening.Ableton is a professional DAW like Logic Pro, or even Pro Tools. Sets up his mix bus processing at the beginning of the mix Uses his 16 Channel Modified Quad 8 console for out of the box summingĪddresses phase and polarity issues on multi-mic’d sources such as bass DI versus bass amp microphones and the drum kitĪddresses the commonly overlooked phase relationship between kick and snareĭiscusses the importance of elements pushing the speakers versus pulling them Has his assistant, Danny Pellegrini prepare a session for mixing In the full 3 hour tutorial, learn how Jacquire: This is one of several workflow quirks which Jacquire uses in this free extract from J acquire King Mixing Lifeboats, the 6th of the series in which different mixers all approach the same project and document their choices through the mix process. In spite of the UAD Distressor plug-in having a mix knob, when setting up parallel compression on a drum bus Jacquire King chooses to use a duplicate path and to insert the Distressor on a bus set to 100% wet.
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